{"id":113,"date":"2019-05-12T12:16:49","date_gmt":"2019-05-12T12:16:49","guid":{"rendered":"http:\/\/www.nicoleloretan.com\/?page_id=113"},"modified":"2023-10-14T22:12:56","modified_gmt":"2023-10-14T22:12:56","slug":"repertoire-bei-elena","status":"publish","type":"page","link":"https:\/\/nicoleloretan.com\/en\/repertoire-bei-elena\/","title":{"rendered":"REPERTOIRE"},"content":{"rendered":"\n<p class=\"has-large-font-size\"><strong>SOLO<\/strong><\/p>\n\n\n\n<p><strong>J. S. Bach<\/strong><\/p>\n\n\n\n<p style=\"line-height:0.7\">Inventionen und Sinfonien, BWV 772-801<\/p>\n\n\n\n<p style=\"line-height:0.7\">Franz\u00f6sische Suite Nr. 6 E-Dur, BWV 817<\/p>\n\n\n\n<p style=\"line-height:0.7\">Italienisches Konzert, BWV 971<\/p>\n\n\n\n<p style=\"line-height:0.7\">Toccata Nr.2 e-Moll, BWV 914<\/p>\n\n\n\n<p style=\"line-height:0.7\">Das Wohltemperierte Klavier, Teil I:<\/p>\n\n\n\n<p style=\"line-height:0.7\">BWV 846<\/p>\n\n\n\n<p style=\"line-height:0.7\">BWV 847<\/p>\n\n\n\n<p style=\"line-height:0.7\">BWV 848<\/p>\n\n\n\n<p style=\"line-height:0.7\">BWV 850<\/p>\n\n\n\n<p style=\"line-height:0.7\">BWV 851<\/p>\n\n\n\n<p style=\"line-height:0.7\">BWV 862&nbsp;<\/p>\n\n\n\n<p style=\"line-height:0.7\">BWV 863<\/p>\n\n\n\n<p><strong>L. v. Beethoven<\/strong><\/p>\n\n\n\n<p>Sonate Nr. 5, Op. 10 Nr. 1<\/p>\n\n\n\n<p>Sonate Nr. 6, Op. 10 Nr. 2<\/p>\n\n\n\n<p>Sonate Nr. 7, Op. 10&nbsp;&nbsp;Nr. 3<\/p>\n\n\n\n<p>Sonate Nr. 8, Op. 13&nbsp;&nbsp;<\/p>\n\n\n\n<p>Sonate Nr. 12, Op. 26&nbsp;<\/p>\n\n\n\n<p>Sonate Nr. 17, Op. 31 Nr. 2<\/p>\n\n\n\n<p>Sonate Nr. 20, Op. 49 Nr. 2<\/p>\n\n\n\n<p>Sonate Nr. 26, Op. 81 a<\/p>\n\n\n\n<p>Sonate Nr. 23, Op. 57<\/p>\n\n\n\n<p>Sonate Nr. 30, Op. 109<\/p>\n\n\n\n<p>Rondo Op. 51 Nr. 1<\/p>\n\n\n\n<p><strong>F. Chopin<\/strong><\/p>\n\n\n\n<p>\u2028Impromptu Nr.1 As-Dur, Op. 29<\/p>\n\n\n\n<p>Impromptu Nr.4 cis-Moll, Op. 66<\/p>\n\n\n\n<p>Scherzo Nr.3 cis-Moll, Op. 39<\/p>\n\n\n\n<p>\u2028Ballade Nr.1 g-Moll, Op. 23<\/p>\n\n\n\n<p>Ballade Nr.2 F-Dur, Op. 38<\/p>\n\n\n\n<p>Polonaise Nr.6 As-Dur, Op.53<\/p>\n\n\n\n<p>Walzer Nr.1 Es-Dur, Op.18<\/p>\n\n\n\n<p>Walzer Nr.7 cis-Moll, Op.64 Nr.2<\/p>\n\n\n\n<p>Et\u00fcde Op. 10 Nr. 3<\/p>\n\n\n\n<p>Et\u00fcde Op. 10 Nr. 4<\/p>\n\n\n\n<p>Et\u00fcde Op. 10 Nr. 7<\/p>\n\n\n\n<p>Et\u00fcde Op. 10 Nr. 8<\/p>\n\n\n\n<p>Et\u00fcde Op. 10 Nr. 12<\/p>\n\n\n\n<p>Et\u00fcde Op. 25 Nr. 1<\/p>\n\n\n\n<p>Et\u00fcde Op. 25 Nr. 2<\/p>\n\n\n\n<p>Nocturne Op. 9 Nr. 2<\/p>\n\n\n\n<p><strong>C.Debussy<\/strong><\/p>\n\n\n\n<p>Et\u00fcde Nr.7 \u201ePour les degr\u00e9s chromatiques\u201c<\/p>\n\n\n\n<p><strong>J. Haydn<\/strong><\/p>\n\n\n\n<p>Sonate in G-Dur, Hob. XVI:39\u2028<\/p>\n\n\n\n<p>Sonate in D-Dur, Hob. XVI:37&nbsp;<\/p>\n\n\n\n<p><strong>G. Ligeti<\/strong><\/p>\n\n\n\n<p>Et\u00fcde Nr. 10, Der Zauberlehrling<\/p>\n\n\n\n<p><strong>F. Liszt<\/strong><\/p>\n\n\n\n<p>Ann\u00e9es de p\u00e8lerinage I: \u201cSuisse\u201d\u2028Ann\u00e9es de p\u00e8lerinage, Nr.9 Les cloches de Gen\u00e8ve&nbsp;<\/p>\n\n\n\n<p>aus: Ann\u00e9es de p\u00e8lerinage II: \u201cItalie\u201d Apr\u00e8s une Lecture de Dante-Fantasia Quasi Sonata<\/p>\n\n\n\n<p>Etudes d\u2019ex\u00e9cution transcendante:&nbsp;<\/p>\n\n\n\n<p>Nr. 4 \u201eMazeppa\u201c d-Moll<\/p>\n\n\n\n<p>Nr. 10 \u201eAppassionata <\/p>\n\n\n\n<p>Schumann-Liszt: \u201eDie Widmung\u201c<\/p>\n\n\n\n<p>Sonate h-Moll S.178<\/p>\n\n\n\n<p><strong>F. Mendelssohn-Bartholdy<\/strong><\/p>\n\n\n\n<p>Rondo capriccioso, Op. 14\u2028<\/p>\n\n\n\n<p>Variations s\u00e9rieuses, Op. 54<\/p>\n\n\n\n<p><strong>W. A. Mozart<\/strong><\/p>\n\n\n\n<p>Sonate Nr. 2 F-Dur, KV 280<\/p>\n\n\n\n<p>Sonate Nr. 4 Es-Dur, KV 282<\/p>\n\n\n\n<p>Sonate Nr. 5 G-Dur, KV 283<\/p>\n\n\n\n<p>Sonate Nr. 9 a-Moll, KV 310\u2028<\/p>\n\n\n\n<p>Sonate Nr. 10 C-Dur, KV 330<\/p>\n\n\n\n<p>\u2028Sonate Nr. 12 F-Dur, K 332\u2028<\/p>\n\n\n\n<p>Sonate Nr. 18, D-Dur, KV 576<\/p>\n\n\n\n<p>Zw\u00f6lf Variationen \u00fcber \u201eLa belle Fran\u00e7oise\u201c KV 353<\/p>\n\n\n\n<p>Sechs Variationen \u00fcber \u201eSalve tu, Domine\u201c KV 398&nbsp;<\/p>\n\n\n\n<p>Rondo D-Dur, KV 485<\/p>\n\n\n\n<p>Fantasie d-Moll, KV 397<\/p>\n\n\n\n<p><strong>M. Moszkowski<\/strong><\/p>\n\n\n\n<p>Et\u00fcde Nr. 2 g-Moll<\/p>\n\n\n\n<p>Et\u00fcde Nr. 6 F-Dur<\/p>\n\n\n\n<p>Et\u00fcde Nr. 7 Es-dur<\/p>\n\n\n\n<p><strong>S. Prokofjew<\/strong><\/p>\n\n\n\n<p>Sonate Nr. 3, Op. 28<\/p>\n\n\n\n<p><strong>A. Sch\u00f6nberg<\/strong><\/p>\n\n\n\n<p>Sechs kleine Klavierst\u00fccke, Op.19&nbsp;<strong><\/strong><\/p>\n\n\n\n<p><strong>F. Schubert<\/strong><\/p>\n\n\n\n<p>Sonate A-Dur, D 664, Op. post. 120\u2028<\/p>\n\n\n\n<p>Sonate a-Moll, D 784, Op. post. 143&nbsp;<\/p>\n\n\n\n<p>6 Moments musicaux, D 780, Op. 94\u2028<\/p>\n\n\n\n<p>Impromptus, D 899, Op. 90, Nr. 2 und \u20284&nbsp;<\/p>\n\n\n\n<p>Impromptus, D 935, Op. 142&nbsp;<\/p>\n\n\n\n<p><strong>R. Schumann<\/strong><\/p>\n\n\n\n<p>Arabeske C-Dur, Op. 18<\/p>\n\n\n\n<p>Papillons, Op. 2<\/p>\n\n\n\n<p>SonateNr.2 in  g-Moll, Op.\u00a022<\/p>\n\n\n\n<p>Kinderszenen, Op.15<\/p>\n\n\n\n<p>Fantasie, Op. 17<\/p>\n\n\n\n<p>Humoreske, Op. 20<\/p>\n\n\n\n<p class=\"has-large-font-size\"><strong>KAMMERMUSIK<\/strong><\/p>\n\n\n\n<p><strong>L. v. Beethoven<\/strong><\/p>\n\n\n\n<p>Sonate f\u00fcr Klavier und Violine Nr. 4 in a-Moll, Op. 23<\/p>\n\n\n\n<p>Sonate f\u00fcr Klavier und Violine Nr. 5 in F-Dur, Op. 24 \u201eFr\u00fchling\u201c<\/p>\n\n\n\n<p>Sonate f\u00fcr Klavier und Violine Nr. 9 in A-Dur, Op. 47 \u201cKreutzer\u201d\u2028<\/p>\n\n\n\n<p>Sonate f\u00fcr Klavier und Violine Nr. 10 in G-Dur, Op. 96<\/p>\n\n\n\n<p><strong>C. Debussy<\/strong><\/p>\n\n\n\n<p>Petite Suite f\u00fcr Klavier zu vier H\u00e4nden<\/p>\n\n\n\n<p><strong>F. Mendelssohn-Bartholdy<\/strong><\/p>\n\n\n\n<p>Sonate f\u00fcr Klavier und Violine F-Dur, Op.?<\/p>\n\n\n\n<p><strong>W. A. Mozart<\/strong><\/p>\n\n\n\n<p>Werke f\u00fcr zwei Klaviere, Larghetto und Allegro Es-Dur, ohne KV-Nummer<\/p>\n\n\n\n<p>Sonate f\u00fcr Klavier und Violine e-Moll, KV 304 (300c)<\/p>\n\n\n\n<p>Sonate f\u00fcr Klavier und Violine B-Dur, KV 454<\/p>\n\n\n\n<p><strong>S. Rachmaninoff<\/strong><\/p>\n\n\n\n<p>Trio \u00e9l\u00e9giaque Nr. 1, g-Moll<\/p>\n\n\n\n<p>Vocalise, Op. 34 Nr. 14<\/p>\n\n\n\n<p><strong>R. Schumann&nbsp;<\/strong><\/p>\n\n\n\n<p>Sonate f\u00fcr Klavier und Violine a-Moll, Op. 105&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>A. Webern&nbsp;<\/strong><\/p>\n\n\n\n<p>4 St\u00fccke f\u00fcr Violine und Klavier, Op. 7\u2028<\/p>\n\n\n\n<p class=\"has-large-font-size\"><strong>ORCHESTER<\/strong><\/p>\n\n\n\n<p><strong>L. v. Beethoven<\/strong><\/p>\n\n\n\n<p>Klavierkonzert Nr. 1 C-Dur, Op. 15\u2028<\/p>\n\n\n\n<p>Klavierkonzert Nr. 2 B-Dur, Op. 19<\/p>\n\n\n\n<p>Klavierkonzert Nr. 3 c-Moll, Op. 37<\/p>\n\n\n\n<p>Klavierkonzert Nr. 4 G-Dur, Op. 58&nbsp;<\/p>\n\n\n\n<p><strong>F. Chopin<\/strong><\/p>\n\n\n\n<p>Klavierkonzert Nr. 1 e-Moll, Op. 11<\/p>\n\n\n\n<p>Klavierkonzert Nr. 2 f-Moll, Op. 21<\/p>\n\n\n\n<p><strong>J. Haydn<\/strong><\/p>\n\n\n\n<p>Klavierkonzert D-Dur, Hob.XVIII:11<\/p>\n\n\n\n<p><strong>W. A. Mozart<\/strong><\/p>\n\n\n\n<p>Klavierkonzert Nr. 20 d-Moll, KV 466\u2028<\/p>\n\n\n\n<p>\u2028Klavierkonzert Nr. 21 C-Dur, K 467<\/p>\n\n\n\n<p>\u2028Konzert in C-Dur \u201eL\u00fctzow-Konzert\u201c, KV 246&nbsp;<\/p>\n\n\n\n<p><strong>M. Ravel<\/strong><\/p>\n\n\n\n<p>Klavierkonzert in G-Dur<strong><\/strong><\/p>\n\n\n\n<p><strong>R. Schumann<\/strong><\/p>\n\n\n\n<p>Klavierkonzert a-Moll, Op. 54&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SOLO J. S. Bach Inventionen und Sinfonien, BWV 772-801 Franz\u00f6sische Suite Nr. 6 E-Dur, BWV 817 Italienisches Konzert, BWV 971 Toccata Nr.2 e-Moll, BWV 914 Das Wohltemperierte Klavier, Teil I: &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/nicoleloretan.com\/en\/repertoire-bei-elena\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;REPERTOIRE&#8221;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-113","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>REPERTOIRE - Nicole Loretan<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nicoleloretan.com\/en\/repertoire-bei-elena\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:locale:alternate\" content=\"de_CH\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"REPERTOIRE - Nicole Loretan\" \/>\n<meta property=\"og:description\" content=\"SOLO J. S. Bach Inventionen und Sinfonien, BWV 772-801 Franz\u00f6sische Suite Nr. 6 E-Dur, BWV 817 Italienisches Konzert, BWV 971 Toccata Nr.2 e-Moll, BWV 914 Das Wohltemperierte Klavier, Teil I: &hellip; Continue reading &quot;REPERTOIRE&quot;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/nicoleloretan.com\/en\/repertoire-bei-elena\/\" \/>\n<meta property=\"og:site_name\" content=\"Nicole Loretan\" \/>\n<meta property=\"article:modified_time\" content=\"2023-10-14T22:12:56+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/nicoleloretan.com\\\/en\\\/repertoire-bei-elena\\\/\",\"url\":\"https:\\\/\\\/nicoleloretan.com\\\/en\\\/repertoire-bei-elena\\\/\",\"name\":\"REPERTOIRE - Nicole Loretan\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/nicoleloretan.com\\\/#website\"},\"datePublished\":\"2019-05-12T12:16:49+00:00\",\"dateModified\":\"2023-10-14T22:12:56+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/nicoleloretan.com\\\/en\\\/repertoire-bei-elena\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/nicoleloretan.com\\\/en\\\/repertoire-bei-elena\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/nicoleloretan.com\\\/en\\\/repertoire-bei-elena\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\\\/\\\/nicoleloretan.com\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"REPERTOIRE\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/nicoleloretan.com\\\/#website\",\"url\":\"https:\\\/\\\/nicoleloretan.com\\\/\",\"name\":\"Nicole Loretan\",\"description\":\"pianist\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/nicoleloretan.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"REPERTOIRE - Nicole Loretan","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/nicoleloretan.com\/en\/repertoire-bei-elena\/","og_locale":"en_US","og_type":"article","og_title":"REPERTOIRE - Nicole Loretan","og_description":"SOLO J. S. Bach Inventionen und Sinfonien, BWV 772-801 Franz\u00f6sische Suite Nr. 6 E-Dur, BWV 817 Italienisches Konzert, BWV 971 Toccata Nr.2 e-Moll, BWV 914 Das Wohltemperierte Klavier, Teil I: &hellip; Continue reading \"REPERTOIRE\"","og_url":"https:\/\/nicoleloretan.com\/en\/repertoire-bei-elena\/","og_site_name":"Nicole Loretan","article_modified_time":"2023-10-14T22:12:56+00:00","twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/nicoleloretan.com\/en\/repertoire-bei-elena\/","url":"https:\/\/nicoleloretan.com\/en\/repertoire-bei-elena\/","name":"REPERTOIRE - Nicole Loretan","isPartOf":{"@id":"https:\/\/nicoleloretan.com\/#website"},"datePublished":"2019-05-12T12:16:49+00:00","dateModified":"2023-10-14T22:12:56+00:00","breadcrumb":{"@id":"https:\/\/nicoleloretan.com\/en\/repertoire-bei-elena\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/nicoleloretan.com\/en\/repertoire-bei-elena\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/nicoleloretan.com\/en\/repertoire-bei-elena\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Startseite","item":"https:\/\/nicoleloretan.com\/en\/"},{"@type":"ListItem","position":2,"name":"REPERTOIRE"}]},{"@type":"WebSite","@id":"https:\/\/nicoleloretan.com\/#website","url":"https:\/\/nicoleloretan.com\/","name":"Nicole Loretan","description":"pianist","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/nicoleloretan.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"}]}},"_links":{"self":[{"href":"https:\/\/nicoleloretan.com\/en\/wp-json\/wp\/v2\/pages\/113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nicoleloretan.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nicoleloretan.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nicoleloretan.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/nicoleloretan.com\/en\/wp-json\/wp\/v2\/comments?post=113"}],"version-history":[{"count":9,"href":"https:\/\/nicoleloretan.com\/en\/wp-json\/wp\/v2\/pages\/113\/revisions"}],"predecessor-version":[{"id":358,"href":"https:\/\/nicoleloretan.com\/en\/wp-json\/wp\/v2\/pages\/113\/revisions\/358"}],"wp:attachment":[{"href":"https:\/\/nicoleloretan.com\/en\/wp-json\/wp\/v2\/media?parent=113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}